ELIZABETH D'AGOSTINO

www.elizabethdagostino.com

 

EDUCATION

1995 BFA Honours, University of Windsor, Windsor, Ontario

1998 MFA in Studio Art, Southern Illinois University, Carbondale, Illinois

 

SELECTED SOLO EXHIBITIONS

2020 Paradigm of Wonder, Agnes Jamieson Art Gallery, Minden Hills Cultural Centre,

Minden, Ontario

2020 Makeshift Tales and Other Collisions, ARTsPLACE Gallery, Annapolis Royal, Nova Scotia

2018 Makeshift Tales, Alberta Printmakers, Calgary, Alberta

2016 Makeshift Tales, Open Studio Sales Gallery, Toronto, Ontario

2016 Makeshift, Loop Gallery, Toronto, Ontario

2015 Makeshift, Reynolds Gallery, Kelowna Art Gallery, Kelowna, British Columbia

2014 A Curious Assortment, Loop Gallery, Toronto, Ontario

Some Assembly Required, George Gilmour Members’ Gallery, Open Studio,

Toronto, Ontario

2013 Nature Collapse, Loop Gallery, Toronto, Ontario

2010 Escape from the Land of the Wandering, George Gilmour Members’ Gallery,

Open Studio, Toronto, Ontario

Artifacts of the Self-Made, Loop Gallery, Toronto, Ontario

2008 Under Leaf and Log, Loop Gallery, Toronto, Ontario

2007 Recent Prints, Art Rental and Sales Gallery, Art Gallery of Windsor, Windsor,

Ontario

Complicated Natures, Nick Novak Scholarship, Open Studio, Toronto, Ontario

From the Bloom Dreams, Hamilton Printmakers Arts Association, Hamilton,

Ontario

Plenty, Rotunda Gallery, Kitchener, Ontario

Plenty, Loop Gallery, Toronto, Ontario

Memory Folios, Open Studio, George Gilmour, Members’ Gallery, Open Studio,

Toronto, Ontario

1999 Journals from the Silk Current, ARC Gallery, Chicago, Illinois

 

SELECTED GROUP EXHIBITIONS

2017 Trace, Zuckerman Museum of Art, Kennesaw State University, Georgia,

Southern Graphics Conference International, organized by Erika Adams.

2016 Boundless and Borderless, National Gallery of Australia, Canberra, Australia

Boundless and Borderless, Art Gallery of New South Wales, Sydney, Australia

2015 Dwell, St. Anne’s Anglican Church, Toronto, Ontario

2013 Boundless and Borderless, Station Gallery, Whitby, Ontario

A Commitment to Washi: Canadian Artists Exploring Tosa Washi,

Japanese Paper Place Gallery, Toronto, Ontario

A Commitment to Washi: Canadian Artists Exploring Tosa Washi, Kochi

Okayaku Ginza,Tokyo, Japan

2012 Re: Arrange, Harbourfront Centre, Toronto, Ontario

Okanagan Print Triennial 2012, Kelowna Art Gallery, Kelowna, British Columbia

2011 Elizabeth D'Agostino, Mi Hyang Kim and Michelle Murillo, Malaspina

Printmakers Society, Vancouver, BC, curated by Andrea Pinheiro

2009 UpArt, Rooms of Wonder, Gladstone Hotel, Toronto, Ontario, curated by

Barbara Gilbert

2008 Impressit, Galerie d’art St-Ambroise, Montreal, Quebec

2006 In Cahoots, The Inkshop and Olive Branch Press, Ithaca, New York

2004 Time and Place, Kala Fellowship Exhibition, Kala Art Institute Gallery,

Berkeley, California

2003 Gros Morne Artist-in-Residence Exhibition, Discovery Centre, Woody Point,

Newfoundland

Tracing Times, Iziko: Museum of Cape Town, Cape Town, South Africa

Tracing Times, Gittens Gallery, University of Utah, Salt Lake City, Utah

Curtains: Open or Closed, Manhattan Graphics Center, New York, New York

77th Annual International Exhibition, The Print Center, Philadelphia,

Pennsylvania

2000 Curtains: Open or Closed, Gittens Gallery, University of Utah, Salt Lake City,

Utah

1999 Combined Talents – The Florida National, Florida State University Museum,

Tallahassee, Florida

International Juried Show ’99, New Jersey Center for Visual Arts, Summit,

New Jersey

1998 Selected Mappings - A Journey into Earthscapes, Crossley Gallery, Ringling

College of Art and Design, Sarasota, Florida

Memory, Moment, Memento, Mira Mar Gallery, Sarasota, Florida

 

PROFESSIONAL EXPERIENCE

2013 to present Managing Director, Toronto School of Art, Toronto, Ontario

2004-12 Curriculum Coordinator, Toronto School of Art, Toronto, Ontario

2004-11 Printmaking Faculty, Ontario College of Art and Design University,

Toronto, Ontario

2001-03 Professor, White Mountain Academy of the Arts, Elliot Lake, Ontario

1998-00 Instructor, Ringling College of Art and Design, Sarasota, Florida

 

AWARDS, FELLOWSHIPS, RESIDENCIES

2017 Artist-in-Residence Sointula Shed, Sointula, British Columbia

2014 Hexagon, Special Projects Fellowship, Open Studio, Toronto, Ontario

Honourable Mention, Open Studio National Printmaking Awards, Toronto

Artist-in-Residence, Anchor Graphics, Columbia College, Chicago, Illinois

2008 Honourable Mention, Printmaking, Toronto Outdoor Art Exhibition

2007 Visual Arts: Emerging Artist Project Grant, Ontario Arts Council

2006 Artist-in-Residence, Frans Masareel Centrum, Kasterlee, Belgium

2005 Nick Novak Scholarship, Open Studio, Toronto, Ontario

2004 Fellowship, Kala Art Institute, Berkeley, California

2003 Fellowship, Vermont Studio Center, Johnson, Vermont, Artist-in-Residence Art

Gallery of Newfoundland and Parks Canada, St. John’s, Newfoundland

Renaissance Graphic Arts Materials Award, The Print Center, Philadelphia,

Pennsylvania

1998 Professional Development Grant, Ringling School of Art and Design, Sarasota,

Florida

Southern Illinois University Women’s Professional Studies, Carbondale, Illinois

1995-8 Graduate Teaching Assistantships, Southern Illinois University at Carbondale,

Illinois

 

PRESENTATIONS, WORKSHOPS AND LECTURES

2014 Lecture, Open Studio, Hexagon Special Projects Fellowship, Toronto, Ontario

2014 Lecture, Anchor Graphics at Columbia College, Chicago, Illinois

2010 Q and A, Loop Gallery, Toronto, Ontario, moderated by Libby Hague and Yael

Brotman

2009 Open Portfolio, Southern Graphics Council, Chicago, Illinois

2008 Visiting Artist, Lecture, University of South Dakota, Vermillion South Dakota

2007 Lecture, Nick Novak Scholarship Exhibition, Open Studio, Toronto, Ontario

2004 Lecture, Kala Art Institute, Berkeley, California

2003 Workshop, Gros Morne National Park Discovery Centre, Woody Point,

Newfoundland

2003 Lecture, “Meander”, Gros Morne National Park Discovery Centre, Woody Point,

Newfoundland

 

CORPORATE COLLECTIONS

Ernst and Young, London, Ontario

Frans Masareel Centrum, Kasterlee, Belgium

Japanese Paper Place, Toronto

Kala Art Institute, Berkeley, California

Kay Hannah Associates, San Francisco, California

National Bank, Canada

Open Studio, Toronto

Pearson International Airport, Toronto

St Cuthbert’s Mill Paper Company, Somerset, England

 

PUBLIC COLLECTIONS

Custom Carpet Commission, Canadian Department of Foreign Affairs, Canada House,

Ontario Room, London, England

Department of Foreign Affairs, Ottawa, Ontario

Library Collections, Southern Illinois University at Carbondale, Carbondale, Illinois

North East Normal University, Normal, Illinois

University of Changchun, Jilin, China

University of South Florida, Tampa, Florida

University of West Virginia, Morgantown, West Virginia

 

SELECTED BIBLIOGRAPHY

Camper, Fred. “Fine Adjustments,” Chicago Reader, Section One, October 22, 1999.

Carmount, Laurie. “Paradigm of Wonder” Agnes Jamieson Gallery, Minden, 2020.

Folwell, Matthew. “Evolving Printmaking,” Our Neighbourhood (Toronto), March, 2007.

Forbes, Tegan. “Truth and Isolation,” Okanagan Print Triennial 2012. Kelowna: Kelowna

Art Gallery, Kelowna, 2012.

Ghaznavii, Corinna. “2007 Scholarship Exhibitions: Elizabeth D’Agostino and Joseph

Siu,” in Elizabeth D’Agostino, Complicated Natures; Joseph Siu, Specials. Toronto:

Open Studio, 2007.

Gilbert, Barbara and Chris Mitchell. Brochure “upArt Contemporary Art Fair,” Gladstone

Hotel, Rooms of Wonder, Toronto, October, 2009.

Kozinska, Dorota. “The Forgotten Art of Drawing,” vie des arts, Number 230, Vol. 47,

Spring, 2013, p. 90.

Television interview by ShawTV Sault Ste Marie, aired on program Thunder Bay Live,

profile of Elizabeth D’Agostino, November, 2012.

Wylie, Liz. “Call of the Wild,” Makeshift, Kelowna: Kelowna Art Gallery, Kelowna, 2015.

Wylie, Liz. “ Beauty of D’Agostino’s art might be distracting” Kelowna Capital News,

Kelowna, 2015

Young, Jean D. “Combined Talents,” The Florida National. Tallahassee: Florida State

University Museum of Fine Arts, 1999.